PRE-ORDER!!! ESTIMATED SHIPPING TIME: IN March 2025!!!!

Below is a detailed interpretation of the studio's reference materials regarding product design and color schemes, highly recommend giving it a read!

The price doesn't include shipping costs. If you order two or more items, you need to contact us to pay the additional shipping cost difference.  
We accept credit card and PayPal payments on our website. Kindly select your preferred payment method during checkout. Thank you!

Specification:

• BRAND NEW & HIGH QUALITY

• Manufacturer: DINO DREAM 

• Scale: 1/15

• Character: Dilophosaurus

• Material: Resin

Size:

• A: 7.1" L(180MM) X 4.5" W(115MM) X 5.5" H(140MM)
  

• B: 7.1" L(180MM) X 4.5" W(115MM) X 4.7" H(120MM)

Package included:

• 1 x Dilophosaurus

• 1 x Base

• 1 x Original Box

Note:

- Please refer to the measurement. The tiny measuring error is allowable in the normal range.

- There might be a little color difference due to the monitor, camera or other factors, please refer to the physical item.

Below is a detailed interpretation of the DINO DREAM studio's reference materials regarding product design and color schemes, most of the content comes from publicly available online sources.

In the 1993 film Jurassic Park, there was a dinosaur with a very unique appearance: Dilophosaurus. This creature had two crests on its head, a retractable frill around its neck, and could spit venom. This iconic design and venom-spitting ability have influenced many subsequent representations of Dilophosaurus in various works, such as Primal Kill and ARK: Survival Evolved. Dilophosaurus is also the only dinosaur in Jurassic Park that was portrayed using mechanical props, without any CGI effects.

The concept art for Dilophosaurus was created by Stan Winston Studio's concept artist Mark "Crash" McCreery.

The artwork was drawn by Crash McCreery and colored by Shane Mahan, with the final color scheme used for the mechanical props.

Stan Winston Studio Dilophosaurus Small-Scale Prop

Data of Dilophosaurus model by Dino Dream.

This is the original 1/4 scale design from Jurassic Park, measuring 19 inches long by 15 inches high (including the base). It was handmade by the artists at Stan Winston Studio, who were also responsible for creating the 1/1 scale Dilophosaurus used in the film.

Shane Mahan's Life-Size Dilophosaurus Sculpture

The life-size prop of Dilophosaurus has three different heads, each serving a different function. The first head has the frill retracted, the second allows the frill to open, and the third has the frill fully extended, with the ability to shake and spit venom.

Two New Products Released

We’ll begin with the model inspired by the iconic scene from Jurassic Park where Dennis Nedry encounters Dilophosaurus during a rainy night. The model captures this thrilling moment, showing Dilophosaurus glancing back slightly, its eyes fixed on a stick on the ground—an alert and focused predator. The model freezes this tense scene, perfectly capturing the suspense of the film.

The pose of Dilophosaurus is highly expressive: its crouching posture conveys caution and menace before hunting, while the frill around its neck is slightly open, exuding a dangerous vibe. The intricate texture and unique colors replicate the wet, rain-soaked skin texture, emphasizing the model's liveliness and realism.

In designing this rainy Dilophosaurus scene model, our team focused on the authenticity of the dinosaur’s head-turning motion. In the film, this classic moment captures Dilophosaurus quickly turning its head, with its gaze almost directed towards its tail. The exaggerated neck twisting prompted us to ask: does its body structure allow for such a movement?

To answer this question, we examined behind-the-scenes footage from Stan Winston’s team, which revealed that the mechanical model's head could indeed rotate almost parallel to its body. This provided solid evidence that the film’s action wasn’t just exaggerated for visual effect, but was based on the actual functionality of the prop.

Thanks to Stan Winston’s production materials and prop footage, we were able to accurately replicate this difficult head-turning movement, embedding the liveliness and tension of the film into our model design. This not only showcases the design team’s commitment to detail, but also serves as a tribute to the classic film.

In the rainy Dilophosaurus scene model, we have included the stick used by Dennis to lure the dinosaur, which is shown fallen on the ground. The base also depicts a subtle water puddle and muddy effect, perfectly recreating the film’s wet, rainy environment. Beside the stick, we have included the official Jurassic Park logo, further enhancing the scene’s realism and storytelling.

One of the most exciting features is how we’ve carefully designed the scene so that viewers can feel the film’s tension by following the direction of the stick on the ground. When you look along the stick, you’ll notice Dilophosaurus’s eyes are focused on it, seemingly contemplating its next move. This clever eye-line direction and attention to detail create dramatic tension, pulling the viewer back into that dangerous, unknown moment from the film, making it feel as though they are right there in the scene.

From concept to creation, our design team has worked diligently to recreate the film’s rainy night atmosphere and emotional intensity. As a piece of sculptural art, this Dilophosaurus model not only reflects top-tier craftsmanship, but also honors and continues the legacy of this iconic scene.

When you hold the model, you might even catch a glimpse of Dennis’s perspective, feeling as though you’re standing face to face with Dilophosaurus, experiencing that heart-pounding moment.

In the Stan Winston studio’s meeting room, there’s an exhibit of a Dilophosaurus prop, where a full-scale Dilophosaurus emerges from plants, with a warning sign about the danger of its venomous spitting, along with a reminder to wear goggles. A can of shaving cream is hidden among the green plants on the base. Our other Dilophosaurus product is based on this exhibit, with data sourced from the small-scale prop, reduced to a 1/15 scale.

The umbrella-like structure seen in the film’s Dilophosaurus, similar to the frill of the Chlamydosaurus kingii (commonly known as the frilled lizard), is made of skin and cartilage. It opens or closes through muscle movement. When threatened, the frilled lizard extends this frill and opens its mouth as a display of intimidation. This feature is commonly used for self-defense or to assert dominance.

The scale model of Dilophosaurus has retained these intricate design details, including the finely detailed frill from the Stan Winston 1:1 model. The frill's scales are arranged in elongated triangular shapes, gradually decreasing in size from the neck to the edge, displaying a high level of design precision. Though our model is a scaled-down version, it has faithfully reproduced these fine details, ensuring an accurate and faithful reproduction of this unique design.

In the 1:1 mechanical model designed by Stan Winston, the frill’s mechanism uses a metal support frame, similar to an umbrella, to allow the frill to both open and close. This structure extends from the area above the neck, and when closed, the membrane is separated. When fully open, the membrane adheres tightly around the jaw, creating a seamless appearance. This detail is clearly showcased in different frames in the movie: in the partially open state, gaps are visible at both the top and bottom of the frill, while in the fully open state, the frill forms a tight closure at the chin, though still separate.

Left photo from the prop creation process         Right photo from the film footage

This clever mechanical design was not only captured in the 1:1 prop model by Stan Winston, but is also fully replicated in our scaled-down version. We strictly followed the movie’s visual effects and faithfully recreated this unique design feature, ensuring that the details are perfectly presented. This makes the model not only a tribute to the classic film, but also a pursuit of meticulous craftsmanship.

In Dilophosaurus fossils, the depression in the upper jaw near the teeth is often referred to as the “premaxillary-maxillary notch.” This natural anatomical feature appears prominently in the fossil record, providing support for stable tooth growth and possibly assisting in chewing or predation. This anatomical trait is commonly used to differentiate Dilophosaurus and other theropod dinosaurs.

When analyzing the mechanical model of Dilophosaurus made by Stan Winston’s team, it can be observed that when the model’s mouth opens, the upper jaw does not have the deep concave seen in the fossil but instead appears smoother and more flattened. This design was likely intended to better serve the film’s visual effects and the mechanical function of the model.

In Jurassic Park, the scene where Dilophosaurus confronts Dennis clearly displays the dynamic of its mouth opening. In high-definition film screenshots, the upper lip is significantly raised, exposing the teeth and jaw. However, this exposure does not show the depth of the premaxillary-maxillary notch seen in fossils but rather a smoother appearance.

We incorporated these details from the film and production materials into the creation of our Dilophosaurus model. Even though the premaxillary-maxillary notch is not as pronounced in the 1:1 Stan Winston model, we still adhered to the film’s visual details in our design. This attention to detail demonstrates both our respect for the movie and our model's ability to replicate intricate design elements.

The model’s design inspiration comes from the 1:1 Dilophosaurus prop made by Stan Winston Studio for Jurassic Park. We strictly followed the posture design from the original 1/5 scale prop, recreating it in 1/5 scale.

The model’s head is slightly turned left at a 60-degree angle, with the frill decorated in striking orange, yellow, green, and white patterns, creating a visual impact. This color scheme faithfully replicates the Dilophosaurus seen in the film, while emphasizing the predator’s danger and allure.

The dynamic design is equally impressive: Dilophosaurus’s body is slightly tilted forward at a 45-degree angle, with its left leg stepping out and its right leg slightly bent. Its tail is naturally raised, giving the pose a sense of tension and power. Notably, a shaving cream can is placed under its head, and a “dangerous escape” sign beside its tail, reminiscent of the memorable face-off scene in the film. These details not only enhance the model’s visual appeal but also take viewers back to that iconic moment.

In our creation, we thoroughly referenced and replicated the 1:1 prop model, ensuring that the model’s posture and details are faithfully reproduced in the 1/5 scale.

Supplement on Rare Originals and Action Design in Model Production:

In the process of creating our model, we acquired a rare original piece through an auction—a foam core head of the Dilophosaurus, created by Stan Winston Studio for the 1993 Jurassic Park film. This original piece, with its intricate details and high level of accuracy, has provided us with invaluable reference material. Notably, the foam original we acquired was also recognized by the studio, reflecting its unique value. We look forward to sharing more stories about this in the future.

However, as we did not obtain the complete 1:1 scale foam model of the Dilophosaurus, we did not use the head original as the base for our model. Instead, for the creation of this model, we chose the complete 1:5 scale Dilophosaurus model as the foundation for the action design. The 1:5 scale model provided an ideal reference for posture design and dynamic reproduction, and it better suited the practical needs for space and display in collectible items.

At the same time, we remain hopeful about the future development of a complete 1:1 scale model and aim to offer a more striking high-end custom service to Jurassic enthusiasts. This will allow collectors to experience the Dilophosaurus’ original charm more closely, just as seen in the film. This project represents not only a tribute to the classic, but also an elevation and continuation of the culture of collecting.